Crossfading audio tracks is exceptionally quick and easy in both Premiere Pro and Final Cut Pro X. Logan Baker walks you through how to crossfade audio tracks in Premiere Pro.
When you’re mixing sound effects, dialogue, or music, seamlessly blending multiple audio tracks is crucial for not distracting the audience. Whether you’re using Final Cut Pro X or Premiere Pro, each NLE software has several options for handling the task. This article takes a look at some of the practical methods for how to crossfade audio in Premiere Pro and Final Cut Pro X.
All three choices allow you to tinker with the audio in different ways and generally act as tools for blending the two separate audio files together in order to avoid a rough sounding cut. Though not always immediately effective — some volume tweaking and beat matching is required — the blending capabilities nonetheless can help out a great deal. Read more on Premium Beat.
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way.
The technique of cross-fading is also used in audio engineering as a mixing technique, particularly with instrumental solos. A mix engineer will often record two or more takes of a vocal or instrumental part and create a final version which is a composite of the best passages of these takes by cross-fading between each track.
Cross-fading usually involves the sounding of a combination of one or two sounds at the same time. While cross-fading one does not want the second part of the fade to start playing before the first part is finished; one wants the overlapping parts to be as short as possible. Read more about this subject on Wikipedia.