Every great cinematographer has a signature style. You can develop yours by studying the experts, beginning with Wes Anderson.
From Bottle Rocket to Isle of Dogs, Wes Anderson has consistently delighted cinephiles with his whimsical sense of humor and signature visual style. Whether you’re a fan or not, you’ve seen it both analyzed and parodied. However, it’s more than just tableaux and dead dogs. Anderson’s recognizable mise-en-scène is a combination of homaged compositions and coming-of-age motifs that requires a strong understanding of cinematography, color, and style.
One aspect of Wes Anderson’s cinematography (which is heavily tied to his go-to director of photography, Robert Yeoman) is the stark flatness of his compositions. As much as he possibly can, Wes creates his worlds by lining everything up directly in front of him. That is to say, he doesn’t use awkward angles. The camera can move, but if it does, it creates a new flat composition. Read the article at Premium Beat.
Wesley Wales Anderson is an American film director, film producer, screenwriter, and actor. His films are known for their distinctive visual and narrative style.
Anderson was nominated for the Academy Award for Best Original Screenplay for The Royal Tenenbaums in 2001, Moonrise Kingdom in 2012 and The Grand Budapest Hotel in 2014, as well as the Academy Award for Best Animated Feature for Fantastic Mr. Fox in 2009. He received his first Academy Award nomination for Best Director and won the Golden Globe Award for Best Motion Picture – Musical or Comedy for The Grand Budapest Hotel in 2014. He also received the BAFTA Award for Best Original Screenplay in 2015. His films are produced under his American Empirical Pictures banner.
Anderson is regarded by many as a modern-day example of the auteur. He has received consistent praise from critics for his work, and three of his films – The Royal Tenenbaums, Moonrise Kingdom, and The Grand Budapest Hotel – appeared in BBC’s 2016 poll of the greatest films since 2000. Read more at Wikipedia.
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