December 4, 2017
Pre-production Planning – Fix It in Production
A 1st A.D. tells you what mistakes to avoid when shooting an independent film in…
November 29, 2017
New Audio Features in DaVinci Resolve 14
The new DaVinci Resolve 14 Fairlight Audio Page includes some great new features. But if…
September 8, 2017
Why DaVinci Resolve May Be the Single Most Powerful Tool in Post
Perhaps the single most powerful post-production tool that has emerged in the past few years…
August 7, 2017
The Power of Sound – Using the Shepard Tone In Filmmaking
The Shepard Tone creates the illusion of continuously swelling sound, which can build tension or…
July 11, 2017
Avid Free NLE Media Composer First Review
Media Composer First is a free and “limited” version of the industry-standard NLE...Michael Maher explores…
July 4, 2017
Avid Media Composer First
Avid has released Avid Media Composer First, based on its industry-standard NLE editing software Media…
June 29, 2017
Film Editor Paul Machliss, ACE, on Baby Driver
Film editor Paul Machliss discusses how long-term planning, an Avid editor on set, and a…
June 26, 2017
How to Clean Up Audio in Premiere Pro in 30 Seconds
A video is only as strong as the audio supporting it. All too often, poor…
June 16, 2017
Democratizing Media Production
Blackmagic’s DaVinci Resolve 14 is set to shake up the industry, but is that good…
May 26, 2017
Understanding Log and Color Space In Compositing
Log footage is an important part of the post-production workflow. Here’s what you need to…
